Tony Stark, accept no substitutes (
toblameforit) wrote2011-03-23 12:57 pm
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God help them both
(from here; warning for some fairly wrong goings-on all round)
His room is on the second floor and it's really more of a suite. First through the door is a comfortable little living room containing all the essentials—squashy couch, wall-mounted plasma TV, bookshelf for Sherry, liquor cabinet for Tony, a pair of reasonably uncluttered desks side by side for the rare occasion when they both bring their laptops. One of them has been usurped by a violin case.
His room is on the second floor and it's really more of a suite. First through the door is a comfortable little living room containing all the essentials—squashy couch, wall-mounted plasma TV, bookshelf for Sherry, liquor cabinet for Tony, a pair of reasonably uncluttered desks side by side for the rare occasion when they both bring their laptops. One of them has been usurped by a violin case.
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(His fingers curl tightly around Tony's hip. Maybe it's a steadying gesture. But probably not.)
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The grip on Tony's hip gentles as Obadiah responds carefully in kind.
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This, all of this, feels less fucked up and more right the more he does it. Maybe that's because he's drunk and maybe it's because he's a little fucked up himself and maybe, just maybe, it's for the same reason he keeps laughing when there's nothing to laugh at.
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It will be easier to get what he wants from Tony if Tony is comfortable.
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The thing is.
Tony is a pretty oblivious person in a lot of contexts. This doesn't happen to be one of them.
He pulls back a little, looking—let's go with speculative, and meets Obadiah's eyes with the kind of smile that expects answers.
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Yes?
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"I can tell when you're not into it, you know," he says, and then—leaning closer to breathe the words in his ear— "What do you want?"
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He's imagined hearing that question so vividly, so many times (most often from Howard, though Tony has certainly made his share of appearances in the past year or two), that the experience of hearing it for real shorts out something vital in his brain.
It takes a few long seconds before he can even think; forget forming words.
(His hand tightens convulsively on Tony's hip, much harder than before.)
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Amazing. Kind of perfect. Intense in a way that could be scary if Tony let it. He doesn't.
"What," he repeats instead, twisting gracefully to straddle Obadiah's lap because there will never be a better moment for it than now, "do you want?"
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But, as previously observed (http://toblameforit.livejournal.com/2506.html?thread=206282#t206282), iron has a melting point.
He reaches up and pulls Tony down for a hard kiss, and this time he doesn't hold back at all.
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If he let it.
He chooses not to. He braces easily against the pressure of Obadiah's hands so that, when he relents a few seconds later and slides forward a little and down a little more than that, it is very definitely his idea; he digs in his fingers and drags his teeth over Obadiah's lip with another, louder moan.
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His hand drops from Obie's shoulder to start flicking open the buttons of his shirt, because there needs to be more skin here, there really does.
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Eventually, they do in fact make it to the bed.
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They are there for quite a while.
In the end, Tony is pretty much certain that the only reason he's getting cuddles right now is because Obie is too tired to move, and he's pretty much okay with that.
"Best bad decision I ever made," he sighs, deeply content. He might be talking about kissing Obie in the first place, but the words that are floating through his mind are good luck with that.
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Staying and indulging Tony isn't a bad idea, anyway, for obvious reasons.
He chuckles, a distinctly lazy sound, and runs his hand down Tony's side.
"I've got no complaints."
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God, Obie hasn't lied to him in... three hours? At least? Maybe closer to five. Tony wasn't exactly counting. He digests this revelation and happily snuggles a little closer.
He wanted something real? He's got it.
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And this time it was exactly what he wanted.
"You're an obnoxious little shit," he tells Tony, with great fondness in his voice.
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"I know," he says, equally fond. "You love me anyway."
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